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#Using omniplan professional

“Remembering Tomoko Miho’s Design | OMNIPLAN.” Remembering Tomoko Miho’s Design | OMNIPLAN, Accessed 16 Apr.

#Using omniplan professional

“1993 AIGA Medalist: Tomoko Miho.” AIGA | the Professional Association for Design, Accessed 16 Apr.

Not every logo mark can do that, and through Miho’s meticulously designed process she has accomplished that. Not only is it a logo mark, it can be a sticky note, it can be incorporated on a pen, on a website, or on a banner on the side of a building. This work is very successful as it has lent itself to be interpreted in many ways for the company. Primary colors like blue, red, green were very common during this modern period and this is very evident in a large quantity of Miho’s work. Her use of color here is also important because she wants the contrast to be powerful. Her minimalist design is seen through this logo mark as she uses just the outline of the rectangles.

She was orderly and meticulous throughout her design process which led her final products to acquire those attributes as well. This logo mark is modern and minimalistic which is what Tomoko Miho was known for in the design world. Localization - Removed duplicate menu items for expand/. The dimensions of the rectangle points back to the dimensions that the firm has set and the resources they can offer potential clients. Localization - Task and Resource are now displayed in Chinese when using Chinese localizations.

She collaborated with designer James Sebastian, and they both pushed the limits of the brand by developing the logomark to evolve into word marks throughout the years to follow. In this logo mark she wanted to introduce dimensions and illusions that heighten the complexity of the brand in all. Omniplan is an architecture firm and Miho designed their first logo mark in 1970. Throughout her career Miho impacted corporate American through her use of complex identities in regards to brands.